Category: Issue 3

Intentional Dreaming: The Secret Creative Life of Experienced and Senior Psychotherapists

  • Cheryl A. Gibson

JOURNAL OF GENIUS AND EMINENCE, 5 (2) 2022 Article 3 | pages 59-75
Issue Copyright © 2022 Tinkr
Article Copyright © 2022 Cheryl A. Gibson

ISSN: 2334-1149 online
DOI: 10.18536/jge.2020.01.04

Intentional Dreaming: The Secret Creative Life of Experienced and Senior Psychotherapists


Cheryl A. Gibson

School of Psycholog y and Public Health, La Trobe University, Melbourne

Abstract

Experienced and senior psychotherapists must inevitably negotiate the practice/ research divide and avoid burnout. This article reports on an inquiry into the creating activities of senior therapists as one example of how they themselves may be attempting to negotiate this challenge. The inquiry aimed to understand the experience and meaning of creating activity as an aspect of participants’ clinical work. Six experienced and senior therapists from a major public hospital participated. Whilst the method drew on the classical Continental traditions of phenomenology as quest, the analysis tools of the more pragmatic North American form were also employed. Participants’ creating activities were found to be higher-order, contributing something novel and compelling to their clinical work and to their experience of meaning in the work. This clearly qualifies participants as performing at a high-level. The findings also extend current understandings of the phenomenon ‘creating in psychotherapy’. However, the contribution of creating activity was found to be largely invisible to the wider psychotherapy profession. Recommendations were made for changes to peer supervision protocols and professional development activities of senior therapists to take into account this aspect of their clinical practice.


Cheryl Gibson | PACFA Registered Clinical 23282 | Consulting & Clinical Psychotherapist | Adjunct Lecturer | School of Psychology & Public Health | La Trobe University | Melbourne, Australia
Correspondence: cgibson@meaningsmade.com.au | [ORCID id – 0000-0002-4025-8845]
Correspondence address: Consulting Rooms, 17 Grattan Street, Carlton, Victoria, Australia 3053

Note: The author attests that there are no conflicts of interest, that the data reported here are not used in any other publications and there are no infringements on previous copyrights


“Diagnosing” literary genius: A concise look at the life and works of Alexander Pushkin

  • Yulia Furlong
  • Michael Fitzgerald

JOURNAL OF GENIUS AND EMINENCE, 5 (2) 2020 Article 4 | pages 44-58
Issue Copyright © 2021 Tinkr
Article Copyright © 2021 Yulia Furlong

ISSN: 2334-1149 online
DOI: 10.18536/jge.2020.01.04

“Diagnosing” literary genius:

A concise look at the

life and works of Alexander Pushkin


Yulia Furlong

University of Western Australia & Perth’s Children Hospital, Australia

Michael Fitzgerald

Trinity College Dublin, Ireland

Abstract

This paper examined the phenomena of literary genius by providing a retrospective case study and an analysis of the creative works of Russian poet Alexander Pushkin (1799-1837). Taking the readers into Pushkin’s unique world, we attempted to elucidate salient points of his short life, to understand his giftedness and his creative evolution, and to solve the mystery surrounding his spectacular downfall. Building on the works of Cesare Lombroso and Howard E. Gruber, we have utilised unique phenomenological method in “diagnosing” Pushkin. We considered several hypotheses relating to a number of neurodevelopmental and psychiatric conditions, and highlighted ADHD-associated cognitive and behavioural profile which may have contributed to Pushkin’s creativity and subsequent demise. Recognizing that Pushkin was confronted by psychological tensions and interpersonal issues and both sublimated and sought resolution in his poetry, we argue that the vicissitude of his life and his literature were inextricably interrelated. The riddle of Pushkin’s literary genius prompted us to probe further into the nature of literary creativity and freedom of speech.


Yulia Furlong | University of Western Australia | Medical School | Division of Psychiatry | Perth, Australia
Perth’s Children Hospital | Perth WA 6009 | Australia | Correspondence: Yulia.Furlong@health.wa.gov.au Correspondence address: Paediatric Consultation Liaison and Gender Diversity Service, Perth’s Children Hospital, Office 2E, Perth WA 6009, Australia
Michael Fitzgerald | Trinity College Dublin | Department of Psychiatry | Dublin | Ireland
Note: The author attests that there are no conflicts of interest, that the data reported here are not used in any other publications and there are no infringements on previous copyrights.


Swim until you can’t see land: lived experiences of creative life histories

  • Charlotte Gilmore

JOURNAL OF GENIUS AND EMINENCE, 5 (2) 2020 Article 2 | pages 26-36
Issue Copyright © 2020 Tinkr
Article Copyright © 2020 Charlotte Gilmore

ISSN: 2334-1149 online
DOI: 10.18536/jge.2020.01.04

Swim until you can’t see land: lived experiences

of creative life histories


Charlotte Gilmore

Royal Conservatoire of Scotland, Glasgow, UK

Abstract

This six year study draws on some affecting encounters found in explorations of the lives of independent (indie) musicians. Long-term research relationships are not often referred to within creativity literature. Through reflecting on these relationships this study explores the lived experiences and emotions of independent (indie) musicians, among whom value is placed on the quality of their art, artistic autonomy, and artist-led approaches to production. The study provides insights into the construction of the musicians’ indie identities, the entwined precarity of their creativity and mental health, and therein my own experiences as a researcher to approaching and exploring the expression of such sensitive yet embodied creativity.


Dr. Charlotte Gilmore | Athenaeum Leadership Fellow | Royal Conservatoire of Scotland | 100 Renfrew Street, Glasgow, G2 3DB | Correspondence: c.gilmore@rcs.ac.uk | [ORCID id – https://orcid.org/0000-0003-4185-2579]
Note: The author attests that there are no conflicts of interest, that the data reported here are not used in any other publications and there are no infringements on previous copyrights.


Effective Collaboration between Professional Polish Filmmakers:The Grounded Theory Approach

  • Aleksandra Zienowicz-Wielebska
  • Aleksandra Krukowska-Burke
  • Ewa Serwotka & Pola Weiner

JOURNAL OF GENIUS AND EMINENCE, 5 (1) 2020

Article 1 | pages

Issue Copyright © 2020 Tinkr

Article Copyright © 2020 Aleksandra Zienowicz-Wielebska, Aleksandra Krukowska-Burke, Ewa Serwotka & Pola Weiner

ISSN: 2334-1149 online

DOI: 10.18536/jge.2020.01.04

Effective Collaboration between Professional
Polish Filmmakers:The Grounded Theory Approach

Aleksandra Zienowicz-Wielebska

Jagiellonian University, Poland

Aleksandra Krukowska-Burke

Newman University, United Kingdom

Ewa Serwotka & Pola Weiner

Positive Sport Foundation, Poland

Abstract

Psychological factors such as achievement motivation and personality affect individuals involved in film production. Group dynamics are also highly influential during the filmmaking process, yet studies in the performing arts are limited in number, and few have focused on the psychological needs and the complexities of the film production crew which contribute to achieving a high-quality masterpiece. The present study aimed to explore the social contexts (factors and processes) in which eminent Polish filmmakers develop and flourish, using the performance psychology perspective. Twenty actors, 16 directors, 12 producers, six cameramen, five sound technicians, four costume designers, three make-up artists, three film editors, two screenwriters, and two stage designers participated in semi-structured interviews and participant observations. The resulting grounded theory of Effective Film Production Collaboration suggests that conditions (e.g. need for achievement) influence group- and individual-level factors (e.g. communication) which in turn affect the quality of collaboration, that is perceived through group cohesiveness, quality of relationships, and perseverance.

Keywords: Film, performance psychology, performing arts, effective collaboration, grounded theory

Aleksandra Zienowicz-Wielebska | Jagiellonian University, Poland | Email: zienowicza@gmail.com
Aleksandra Krukowska-Burke | Newman University, United Kingdom | Email: O.Krukowska-Burke@staff.newman.ac.uk| [ORCID id – https://orcid.org/0000-0003-1498-9940]
Ewa Serwotka Pola Weiner | 3Positive Sport Foundation, Poland | Email: fundacjasportupozytywnego@gmail.com
Note: The author attests that there are no conflicts of interest, that the data reported here are not used in any other publications and there are no infringements on previous copyrights.